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strings
The Pleats of Matter (2007)
[ solo electric guitar with three
outputs (electromagnetic pick-up/piezo pick-up/condenser microphone) and digital/analog
processing ]
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Note
The Crutch of Memory (2004)
[ indeterminate solo string instrument ]
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"the green is
where" alternative version (2004)
[ solo violin ]
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“the green is where” (2002)
[ solo
violin ]
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The Misprision of Transparency (2001)
[ 26 fascicles for solo viola d'amore with optional amplification ]
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winds
memento / memorial
(2010)
[ solo oboe ]
For Peter Veale & Ensemble SurPlus,
in memory of James Avery.
“the green is or” (2002-3)
[ solo
oboe ]
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asphyxia
(2000)
[ solo soprano saxophone ]
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Metallic Dust
(1999)
[ solo amplified bass clarinet ]
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brass
Because they mark the zone where the force is in the process of striking
(or, Second Study for Figures at the Base of a
Crucifixion) (2008)
[ solo trombone ]
For Ben Marks.
World premiere:
Ben Marks (ELISION), Huddersfield Contemporary Music Festival, Huddersfield, UK,
November 2009.
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What then renders these forces
visible is a strange smile (or, First Study for Figures at the Base of a
Crucifixion) (2008)
[ solo trumpet ]
For Tristram Williams.
World premiere:
Tristram Williams (ELISION), Cassidy Portrait Concert & Broadcast, ABC Ferry
Road Studios, Brisbane, Australia, July 2008.
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songs only as sad as their
listener (2006)
[ solo trombone with wispa mute ]
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keyboard
l.d._ p.c. (t.c.h.)
(2010)
[ solo piano ] On Schumann's
A.S.C.H. - S.C.H.A.
Commissioned by Benjamin Binder for
his Schumann Nouveau Carnaval project. To be recorded, 2010-11.
ten monophonic miniatures for
solo pianist (2002-3)
[ solo piano with extensive
amplification of keys and fingers ]
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voice
I, purples, spat blood,
laugh of beautiful lips (2004-06)
[ solo voice (with live,
computer-generated pitch material) ]
On texts by Christian Bök
(“Voile,” from Eunoia), Arthur Rimbaud (“Voyelles”), and an
anonymous Rimbaud translation (“Vowels”).
Technical assistant: Brett
Masteller.
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